"Mayer’s piano artistry is simply awe-inspiring. What he brings to the keyboard
that is so wonderful land personal is sanity and a clarity of thinking that are
combined with high imagination and articulate fingers. He has a keen sense of proportion—and
inborn feeling for architecture—that lifts his playing into an individual realm."
—John Ardoin
The Dallas Morning News
"Mayer’s Mozart was dynamically marvelous (
Concerto No. 27, St. Louis Symphony,
Catherine Comet, conductor). He produced a good, full tone and molded it with remarkable
variety within an appropriately narrow range."
—St. Louis Post Dispatch
"…drop-dead virtuosity…" (Liszt
Totentanz, The Boston Pops, Keith Lockhart, conductor).
—The Boston Herald
"The performance was straightforward, exciting, excellent, and the audience couldn’t
have been happier." (Gershwin
Rhapsody in Blue, The Pacific Symphony Orchestra,
Carl St. Clair, conductor).
—Los Angeles Times
"After this spectacular debut there is no doubt we will be hearing a lot more from
American pianist Steven Mayer."
—The London Daily Telegraph
"Steven Mayer truly lacks nothing when it comes to talent. It seemed for him a joy
to conquer every difficulty and he gave a true display of fireworks with respect
to dynamic nuances, accents, meaningful phrasings and surprising highpoints."
—Kölner Kultur
(Germany)