Reviews

"A born Thalberg player—borne out if you will, in the way he swings Moses’ Player, the big tune, through increasingly elaborate fantastications without losing either momentum or cantabile pearliness, his spirited ‘Perils-of-Pauline’ romp through the Niobe Fantasy, the aplomb of the Konzertstück, and his salvation of the Queen, so to speak, with prestidigital prowess."

Adrian Corleonis, Fanfare
May/June 1992